I often say that ..
the fireplace in the house if I could do without the TV ..
in reality, I can do anyway unless the tv, I watch every now and then, not so much, and certainly the fireplace in the middle of July would it not be shown, but when
happen to trovarmici forward, with the fire lit, I can spend hours.
The Spirit of Fire
Phantom's
Per fotografare il fuoco, si possono adottare diverse strategie, fondalmentalmente, come per l'acqua, due,
tempi lenti, o tempi brevi. Tenendo presente che :
Il fuoco è molto più veloce dell'acqua in movimento.
Il tempo lento permette effetti di mosso che, però, secondo me non pagano, perchè creano immagini confuse e non molto sorprendenti, e anche sovraesposte a meno di non fare uso di filtro ND. Non soprendenti in quando non ci dicono nulla di nuovo rispetto a come il fuoco "ci appare normalmente".
Normalmente vediamo le volute del fuoco muoversi e godiamo del loro movimento quasi ipnotico, ci piace vedere il giochi delle volute delle fiamme, le vediamo move, but I do not see clearly the shapes,
shooting in quick time, just happens to block the movement and the emergence of precisely these forms, is always a surprise.
The first step was to run a 1 / 400 sec, fast tempo, but not very fast, the image is still very fluid, but already the forms emerge.
The second step was performed at 1 / 8000, the maximum speed allowed by 'equipment in my possession, and here we have a greater richness of forms. More
we can be shorter, we can lock individual streams of incandescent gas. It would be interesting to shoot even faster, but it seems to me to be the best 1/8000sec permitted by DSLR on the market (and other such times in the normal course does not use hardly ever.).
Once I told a friend who "had a demon inside the fire" and not open the closure in the Valle d'Aosta glass, otherwise it would be released.
He gave me a visionary.
And with reason.
Andrea G. 20/06/2010
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