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Valley's Fumo_Green_Water

Valle Di Fumo, Trentino sud-occidentale, proseguendo lungo il percorso del Chiese che vi nasce e vi solca diventa Valle di Daone.

Da lì le acque purissime del Chiese scendono, riempiono il Lago D'Idro, solcano la Valsabbia fino a lambire Brescia.

Nascono dal cielo e dalla roccia, cristalline sembrano voler resistere a lungo, anche in valle, pure.

Il Carè Alto, da questa posizione rappresenta for me the most beautiful view of the mountains of the Alps East Central that dolomite
its beauty is large, imposing, unquestionable. You pour it on, and does not accept replies.

Fall's.

This jump I think about all the tourist brochures of the APT Giudicarie.
Who knows why ...


Now .....

... we make two steps ...

Silence ..
letting everything flow ..

Andrea G. 29/06/2010

Crock Pot Recipes For Small Parties

_Sunset_Theme's_ (To_ "Solito_Posto)

continue my visit to the hill.

George Barr, in his interesting book, "Taking pictures at a higher level" that I 've bought and read, supports the argument that it is necessary to explore a location several times to get good shots.

knowledge of the place, its "objects", its prospects, the report these to the light in various conditions, which vary depending on the weather, season, time, requires a very in-depth approach to object world with which the photographer stands.

insist,

then

need.

I come to this place for years now, but I think only now is able in order to bring out the inner beauty in striking when the evidence that you live in the visit is not so immediate as to render in photography.

Here lies the paradox:

An obvious beauty that needs to be deepened in order to be represented.

How many times did you happen to be in a wonderful place, the powerful allure of experiencing live, take a picture to preserve something of the moment, and try

a total disappointment in review the image taken. (I tell you, almost always!)

Herein lies another paradox.

At the time of impressionism painting, was born and Development ', in France, then rapidly in Europe and the USA, the photo ..

Photography imposed his success with a technical means much more effective in representing the reality realistically.

However:

What is reality?

not what we perceive through the "media" of our internalization?

The things the way we live? the emotional color of things, in addition to their physical objectivity?

not pursue this lead us to move away from objective representation of reality?

Chasing the representation of reality leads us to make better pictures?

If not, then we must pursue a level of vision, and thus of representation, different.

I think therefore that:

Realism is the worst evil that can afflict the photograph. (and photographer).

You might get the opposite idea, namely that photography is fiction.

In fact, photography is a representation, then, is a reality experienced by those who express it through his own sensibility.

Questo non è quindi "mentire", o "mistificare", tuttavia, la fotografia può fare, ed è giusto che faccia, anche questo.

Si vive con le apparenze, le apparenze però sono in relazione con la sostanza che ne rimane in background e che quindi tramite le apparenze si esplica.  Se si vuole capire e rappresentare quello che si avverte "dietro",

allora è necessario impegnarsi, 

andare oltre.

Insistere.

Andrea Guerrini 26/06/2010

Wetness Instead Of Period

the fire spirit.

I often say that ..

the fireplace in the house if I could do without the TV ..
in reality, I can do anyway unless the tv, I watch every now and then, not so much, and certainly the fireplace in the middle of July would it not be shown, but when
happen to trovarmici forward, with the fire lit, I can spend hours.

The Spirit of Fire

Phantom's






Per fotografare il fuoco, si possono adottare diverse strategie, fondalmentalmente, come per l'acqua, due,
tempi lenti, o tempi brevi. Tenendo presente che :

Il fuoco è molto più veloce dell'acqua in movimento.

Il tempo lento permette effetti di mosso che, però, secondo me non pagano, perchè creano immagini confuse e non molto sorprendenti, e anche sovraesposte a meno di non fare uso di filtro ND. Non soprendenti in quando non ci dicono nulla di nuovo rispetto a come il fuoco "ci appare normalmente".
Normalmente vediamo le volute del fuoco muoversi e godiamo del loro movimento quasi ipnotico, ci piace vedere il giochi delle volute delle fiamme, le vediamo move, but I do not see clearly the shapes,
shooting in quick time, just happens to block the movement and the emergence of precisely these forms, is always a surprise.
The first step was to run a 1 / 400 sec, fast tempo, but not very fast, the image is still very fluid, but already the forms emerge.
The second step was performed at 1 / 8000, the maximum speed allowed by 'equipment in my possession, and here we have a greater richness of forms. More
we can be shorter, we can lock individual streams of incandescent gas. It would be interesting to shoot even faster, but it seems to me to be the best 1/8000sec permitted by DSLR on the market (and other such times in the normal course does not use hardly ever.).
Once I told a friend who "had a demon inside the fire" and not open the closure in the Valle d'Aosta glass, otherwise it would be released.
He gave me a visionary.
And with reason.


Andrea G. 20/06/2010

Pokemon Universe Server Setup

_Flower's_

explode in laughter color
laugh between petals curious
airy scents of fragrant odors and

always and variously
fiori.

(A.G.)

Andrea G. 16/06/2010