Friday, June 25, 2010

Crock Pot Recipes For Small Parties

_Sunset_Theme's_ (To_ "Solito_Posto)

continue my visit to the hill.
George Barr, in his interesting book, "Taking pictures at a higher level" that I 've bought and read, supports the argument that it is necessary to explore a location several times to get good shots.
knowledge of the place, its "objects", its prospects, the report these to the light in various conditions, which vary depending on the weather, season, time, requires a very in-depth approach to object world with which the photographer stands.

insist,
then
need.

I come to this place for years now, but I think only now is able in order to bring out the inner beauty in striking when the evidence that you live in the visit is not so immediate as to render in photography.
Here lies the paradox:

An obvious beauty that needs to be deepened in order to be represented.

How many times did you happen to be in a wonderful place, the powerful allure of experiencing live, take a picture to preserve something of the moment, and try
a total disappointment in review the image taken. (I tell you, almost always!)

Herein lies another paradox.

At the time of impressionism painting, was born and Development ', in France, then rapidly in Europe and the USA, the photo ..
Photography imposed his success with a technical means much more effective in representing the reality realistically.

However:

What is reality?
not what we perceive through the "media" of our internalization?
The things the way we live? the emotional color of things, in addition to their physical objectivity?

not pursue this lead us to move away from objective representation of reality?
Chasing the representation of reality leads us to make better pictures?
If not, then we must pursue a level of vision, and thus of representation, different.

I think therefore that:

Realism is the worst evil that can afflict the photograph. (and photographer).

You might get the opposite idea, namely that photography is fiction.
In fact, photography is a representation, then, is a reality experienced by those who express it through his own sensibility.
Questo non è quindi "mentire", o "mistificare", tuttavia, la fotografia può fare, ed è giusto che faccia, anche questo.
Si vive con le apparenze, le apparenze però sono in relazione con la sostanza che ne rimane in background e che quindi tramite le apparenze si esplica.  Se si vuole capire e rappresentare quello che si avverte "dietro",
allora è necessario impegnarsi, 
andare oltre.
Insistere.














Andrea Guerrini 26/06/2010

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